Soul Strokes b/w Remind Me
Hoping to cash in on the instrumental craze made popular by Cadet’s Soulful Strings project, Twinight hired journeyman guitarist Sidney Pinchback to set down a few psychedelic licks over the backing tracks for Syl Johnson’s “Different Strokes.” For “Remind Me”—credited to the Schiller Street Gang (a reference to the street Twinight co-owner Howard Bedno lived on)—Pinchback laid down fuzzy ruminations where Syl Johnson’s never-tracked vocals were slated to appear. Cut at Chess’s Ter Mar studio, the band was likely a mixture of Richard Pegue’s house band the South Shore Commission and whatever session players were hanging about that day. Both cuts have a distinct Electric Mud by way of Rotary Connection feel to them, and were slated to appear on an all-instrumental LP by the Chicago Sound Machine, which never materialized.
Hoping to cash in on the instrumental craze made popular by Cadet’s Soulful Strings project, Twinight hired journeyman guitarist Sidney Pinchback to set down a few psychedelic licks over the backing tracks for Syl Johnson’s “Different Strokes.” For “Remind Me”—credited to the Schiller Street Gang (a reference to the street Twinight co-owner Howard Bedno lived on)—Pinchback laid down fuzzy ruminations where Syl Johnson’s never-tracked vocals were slated to appear. Cut at Chess’s Ter Mar studio, the band was likely a mixture of Richard Pegue’s house band the South Shore Commission and whatever session players were hanging about that day. Both cuts have a distinct Electric Mud by way of Rotary Connection feel to them, and were slated to appear on an all-instrumental LP by the Chicago Sound Machine, which never materialized.
Original: $2.00
-65%$2.00
$0.70Description
Hoping to cash in on the instrumental craze made popular by Cadet’s Soulful Strings project, Twinight hired journeyman guitarist Sidney Pinchback to set down a few psychedelic licks over the backing tracks for Syl Johnson’s “Different Strokes.” For “Remind Me”—credited to the Schiller Street Gang (a reference to the street Twinight co-owner Howard Bedno lived on)—Pinchback laid down fuzzy ruminations where Syl Johnson’s never-tracked vocals were slated to appear. Cut at Chess’s Ter Mar studio, the band was likely a mixture of Richard Pegue’s house band the South Shore Commission and whatever session players were hanging about that day. Both cuts have a distinct Electric Mud by way of Rotary Connection feel to them, and were slated to appear on an all-instrumental LP by the Chicago Sound Machine, which never materialized.
